Jul 14, 2009 Tough title to live up to. The lofty three-word phrase Al Reinert chose for his 1989 documentary on the Apollo space program comes from the plaque the first men on the moon, Neil Armstrong and Buzz Aldrin, left there in...

Jun 15, 2009 With the arrival of this film, cinema catapulted to the front line of a cultural advance guard that sought to undermine the intractable mass taste promoted by Hollywood, television, and the Brill Building.

May 20, 2009 Early in Shohei Imamura’s Intentions of Murder, the librarian Riichi distractedly peruses Herbert Marcuse’s Eros and Civilization while conversing with his clinging mistress, Yoshiko. One can read the reference in many ways: as a glancing jest, as an (uncharacteristic) Imamurian...

May 20, 2009 Iconoclasts are meant to kill their idols, and so it’s fitting that Shohei Imamura launched into his career as if on a patricidal rampage. Like Nagisa Oshima, the other towering figure of the Japanese New Wave, Imamura (1926–2006) rejected the...

May 20, 2009 The title alone screams incongruity. Shohei Imamura’s 1961 black-and-white caper movie Pigs and Battleships bursts with the confusion and exuberance of a cross-cultural encounter. In its lively portrayal of enthusiastic Japanese locals welcoming the U.S. Navy on R&R to the...

May 13, 2009 Alexander Korda’s oeuvre is often characterized as larger-than-life, undoubtedly in part because the figures he was attracted to—kings and queens, legendary lovers and great artists—were often extraordinary.

May 6, 2009 Götz Spielmann’s tour de force dark tragedy Revanche has received a slew of great notices, but we’re particularly partial to Ella Taylor’s highly perceptive examination of the new Janus release on NPR’s website, where she zeros in on the characters’...

Apr 30, 2009 The following article, based on an interview with Nagisa Oshima conducted by Katsue Tomiyama in April 1983, first appeared, in slightly longer form, in the Japanese magazine Image Forum. Tomiyama is a film producer and cofounder of Image Forum, and...

Mar 23, 2009 The most crowd-pleasing film of François Truffaut’s latter career is also one of his most personal, drawing from his memories of the German occupation of France, his schoolboy years and his lifelong infatuation with the creative arts.

Mar 10, 2009 Akira Kurosawa made Dodes’ka-den (1970) during the most crisis-laden period of his career. He had just spent two years embroiled in an ill-fated venture with the Hollywood studio Twentieth Century Fox to direct the Japanese segments of the World War...

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