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Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.

Jul 30, 2021 — First: conscious neglect and budget cuts are threatening cinema’s legacy. Then: this week’s highlights.

Jul 22, 2021 — Quentin Tarantino’s first novel and studies of Ophuls and Melville are among this month’s new and noteworthy titles.

Jul 6, 2021 — Howard Hawks’s madcap battle of the sexes is a reminder of how necessary and sneakily profound silliness can be.

Jun 11, 2021 — “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...

Jun 9, 2021 — As part of Criterion’s team of digital-restoration artists, it’s my job to make dusty old films look polished and new again, like the first time they were ever screened for the public. This process is akin to photo retouching, but...

Apr 22, 2021 — 1. Memories of Murder (2003) is based on what director Bong Joon Ho has described as “the first real case of serial murder in Korea”: between 1986 and 1991, the rural area of Hwaseong was terrorized by the killings of...

Apr 16, 2021 — This week we’re checking in on the cinemas of Brazil and South Korea, reading about Terrence Malick, and listening in on Emma Thompson and Tony Kushner.

Apr 7, 2021 — The four-part series forages for the roots of the ideology of white supremacy.

Apr 2, 2021 — One Scene Thomas Vinterberg no longer holds fast to the ascetic tenets of Dogme 95, the film movement he cofounded in 1995 with fellow Danish director Lars von Trier, but what has remained constant throughout his career is his sharp...