The Day After

Jan 31, 2022 — Movies are about looking, and no one involved in the making of a film is more directly responsible for the frames we look at than a cinematographer, or director of photography. Together with the director, the cinematographer shapes the visual...

Jan 18, 2022 — MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.

Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...

Dec 17, 2021 — A Nicole Brenez dossier and writing on Melvin Van Peebles and Nicolas Cage are among this week’s highlights.

Dec 14, 2021 — Handsome volumes on Wes Anderson and David Fincher, a biography of Greta Garbo, and a memoir from Mel Brooks are among this month’s highlights.

Dec 6, 2021 — It was a good weekend for Drive My Car, Lady Gaga, and Aleem Khan’s debut feature.

Dec 1, 2021 — So far, most critics have been gung ho, but a few are expressing reservations.

Nov 18, 2021 — Brief notes on films arriving from Mike Mills, Tatiana Huezo, Jane Campion, Robert Greene, and Radu Jude.

Nov 15, 2021 — Paul Newman’s forthcoming memoir, Bill Gunn’s 1981 novel, and Melissa Anderson’s Inland Empire are among this month’s notable titles.

Nov 3, 2021 — 1. Jack Arnold was a prolific genre director over the course of his many years as a filmmaker. He started as a cinematographer in the Army Signal Corps during World War II, and after the end of the war started...