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Jun 19, 2006 This essay originally appeared in the fanzine PHOTON (issue #22), in 1972. Stop-motion animation has been attracting a growing number of enthusiasts for about the last ten years, and though it seems the majority of these people must out of...

May 22, 2006 Luis Buñuel’s merciless satire concerns the smallness of our vision of progress and our narrow attempts to achieve it through rational or moralistic planning.

May 22, 2006 Barbara Kopple’s detailed analysis of a Kentucky mine workers’ strike is a virtual hub of urgent themes, formal tendencies, political debates, and material practices that define post-sixties documentary in America.

Apr 24, 2006 This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.

Apr 17, 2006 In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.

Jan 23, 2006 Ingmar Bergman was enjoying one of the happiest spells of his life while making The Virgin Spring (1960). On a personal level, he was felicitously ensconced in his fourth marriage, to the concert pianist Käbi Laretei. And, professionally, he was...

Jan 5, 2006 Akira Kurosawa appreciated Shake­speare’s knack for linking the private and the political, threading a tale of corruption and revenge through a tangle of blood ties.

Oct 24, 2005 The hero in Masahiro Shinoda’s popular samurai movie is both a genre figure and an ordinary character, both killer and savior, both larger than life and lost in the mists.

Jul 11, 2005 Luchino Visconti’s adaptation of Fyodor Dostoyevsky’s short story balances realism and fantasy.

Jun 13, 2005 Ernst Lubitsch was a big-city director. The historical dramas that he made in Germany in the late 1910s and early 1920s were known around the world for their distinctively urbane approach, focusing on the private lives of public people. This...

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