Jun 24, 2024 Costars and critics remember an outstanding actor who neither looked nor sounded like a movie star.

Jun 21, 2024 An underrated figure of Japanese cinema’s postwar era, the director tackled a wide range of subjects over his long career, including corporate double-dealing, government espionage, and various forms of fanaticism.

Jun 20, 2024 All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.

Jun 14, 2024 Featured this week are a breakthrough lesbian comedy, a Native American road movie, and a portrait of a Palestinian family.

May 24, 2024 During a period of seismic change in U.S. history, the Hollywood studio system began to fracture beyond repair, resulting in a new freedom in how movies explored themes of violence, psychosis, and social breakdown.

May 21, 2024 The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

Light in Stereo

The Daily

May 17, 2024 We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.

May 16, 2024 Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.

May 15, 2024 The festival opens with a showcase for French acting royalty.

May 14, 2024 Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.

Current Page
110
of 258

You have no items in your shopping cart