The Criterion Collection
The Daily
Sep 13, 2024 — Will we ever see Ezra Edelman’s Prince documentary? Plus Chantal Akerman, Demi Moore, and the waning of “elevated horror.”
Sep 12, 2024 — In celebration of our fortieth anniversary, Criterion has built a replica of our famous films closet inside an eighteen-foot delivery van, and later this month, we’ll be taking our Criterion Closet Picks show on the road.
The Daily
Sep 11, 2024 — Marianne Jean-Baptiste plays a deeply frustrated woman in Leigh’s first film set in contemporary Britain since Another Year (2010).
The Daily
Sep 10, 2024 — A commanding presence on the stage and on movie and television screens, Jones could perform wonders with that voice.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.
The Daily
Sep 3, 2024 — The Room Next Door, The Brutalist, and Babygirl are met with both wild enthusiasm and serious reservations.
The Daily
Aug 29, 2024 — Beetlejuice Beetlejuice has some critics rolling their eyes, while others embrace his unique and newly reinvigorated vision.
The Daily
Aug 28, 2024 — Critics look ahead to their most-anticipated films in Venice, the festival that kicks off the season.
Aug 27, 2024 — A brilliant satire, inspired by a 1973 PBS documentary series that gave rise to the reality-television genre, Albert Brooks’s first feature film examines the ethical dilemmas of combining cheap entertainment and sociological experiment.
The Daily
Aug 23, 2024 — We’re revisiting key films from Francis Ford Coppola, Martha Coolidge, John M. Stahl, Asghar Farhadi, and Jacques Rozier.