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Man of the House

Feb 21, 2006 Kind Hearts and Coronets (1949) is an Ealing comedy in name only. True, it’s undeniably a comedy and was made by (though largely not at) Ealing. But in virtually every other respect, it deviates startlingly from the commonly accepted stereotype....

Gertrud

Essays

Aug 20, 2001 Carl Dreyer’s modern tragedy eschews melodrama, striking a balance between suffering and triviality.

Ordet

Essays

Aug 20, 2001 The strangeness of Ordet is something that no number of viewings, God willing, will rub off. I want to stress this strangeness. That Ordet is a great film, one of the greatest ever made, only a rash or foolish person...

High and Low

Essays

Oct 12, 1998 Are there cultural purists still remaining who would argue that the “Westernized” title of Akira Kurosawa’s 1963 masterpiece—High and Low—throws polluted water on the cosmological fire of its given name: Tengoku to jigoku—literally, Heaven and Hell?Kurosawa’s once insisted-upon reputation as...

Nov 2, 2022 While the Wexner Center surveys her career, TCM’s podcast tells the full life story of Pam Grier.

Feb 16, 2017 Repertory PicksTomorrow, the International House Philadelphia salutes French actor-director Pierre Etaix with a double dose of his unique brand of physical comedy. The screening kicks off with As Long as You’ve Got Your Health (1966), a compendium of four hilarious...

Mar 28, 2023 Described by director Joan Micklin Silver as “a kind of weird romantic comedy,” this defiantly ambiguous exploration of amour fou presents its obsessive antihero in all his contradictions.

Aug 27, 2019 In the run-up to Venice, Telluride, and Toronto, New York announces its retrospective and revivals.

Aug 26, 2018 Tomás Gutiérrez Alea brought cinema to the center of Cuban society with this richly ambiguous portrait of postrevolutionary Havana.

Jan 19, 2018 Two marvels of midcentury social commentary now streaming on the Criterion Channel show how progress can be a one-step-forward, two-steps-backward process.

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