The Criterion Collection
Feb 28, 2023 — In his directorial debut, Robert Townsend channeled his frustrations with the typecasting of Black actors, resulting in a satire whose hilarious critique of Hollywood still resonates today.
The Daily
Jan 26, 2023 — With confident verve, Brandon Cronenberg’s Infinity Pool and Laura Moss’s birth/rebirth defy horror fans’ expectations.
Jan 10, 2023 — In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.
The Daily
Dec 8, 2022 — We can look forward to new work from Ira Sachs, Nicole Holofcener, Randall Park and Adrian Tomine, and Brandon Cronenberg.
Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.
Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.
Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.
Essays
Aug 30, 2022 — A lyrical study of a farming community in Ethiopia, Jessica Beshir’s debut feature reckons with the consequences of the region’s reliance on the cash crop khat.
Jul 22, 2022 — Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.
Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...