The Criterion Collection
Doru Pop is a professor of film and media studies at Babeș-Bolyai University in Cluj, Romania. In the United States, he has taught courses at Bard College and Columbus State University. He has published several books on visual culture, media,...
Pamela Hutchinson is a freelance writer, critic, and film historian. She has written essays for several edited collections, and her publications include the BFI Film Classics volumes on Pandora’s Box and The Red Shoes. She writes about silent film at...
Linda Ruth Williams is Professor of Film at Exeter University. She has written and edited numerous books and articles on contemporary cinema, feminism, sexuality, and censorship, including Sex in the Head: Visions of Femininity and Film in D. H. Lawrence;...
Nicholas Elliott has been the New York correspondent for Cahiers du cinéma since 2009. He is a programmer for the Locarno Film Festival and a contributing editor for film for BOMB magazine. His writing on film has appeared in Film...
Dan Callahan is the author of Barbara Stanwyck: The Miracle Woman (2012), Vanessa: The Life of Vanessa Redgrave (2014), two volumes of The Art of American Screen Acting (2018 and 2019), The Camera Lies: Acting for Hitchcock (2020), and the...
Sean O’Sullivan is an associate professor of English at Ohio State University and the author of the Contemporary Film Directors volume on Mike Leigh, from the University of Illinois Press.
Scott Tobias is a freelance film and television writer from Chicago. He currently writes reviews for NPR and Variety, edits Oscilloscope Laboratories’ Musings blog, and contributes frequently to the New York Times, the Washington Post, Vulture, and other publications.
Fábio Andrade is a film scholar and artist. He holds an MFA in filmmaking from Columbia University and a PhD in cinema studies from New York University.
Mark Harris is a journalist and film historian, and the author of Pictures at a Revolution (2008), Five Came Back (2014), and Mike Nichols: A Life (2021).