The Criterion Collection
The musician and Pulp front man shares how films like Blue Velvet and Meantime altered his view of cinema, talks about collaborating with Wes Anderson and Danny Boyle, and decides he’s finally ready to watch Salò, or The 120 Days...
The legendary director shares the importance of learning from the work of Krzysztof Kieślowski, talks about how Straw Dogs sparked his desire to pursue filmmaking, and selects box sets by two of his favorite filmmakers, Martin Scorsese and Masaki Kobayashi.
The actor and star of Exhibiting Forgiveness talks about his hero, the late James Earl Jones, and his performance in Claudine; shares how Lorraine Hansberry’s A Raisin in the Sun sparked his desire to perform; and selects films by friends...
The director of All Quiet on the Western Front and Conclave shares his love for Downhill Racer and its innovative sound design, talks about the emotional impact of Cold War, and selects a few of Roberto Rossellini’s films featuring Ingrid...
The actor praises films by directors he has worked with, talks about how Mike Leigh’s Naked and Ken Loach’s Kes helped define contemporary British cinema, and thanks his father for his love of Tampopo.
The artist and codirector of Agnès Varda’s documentary Faces Places talks about his intimate collaboration with the late iconic filmmaker, praises world-expanding masterpieces like La haine and Roma, and shouts out his friend Louis Garrel.
The actor, who stars in Todd Solondz’s Happiness, shares his appreciation for the playwright behind the source material of George Cukor’s Holiday; praises It’s a Mad, Mad, Mad, Mad World as one of the funniest films he has ever seen;...
The actor and director returns to the Closet, where he clarifies his feelings on Salò, or The 120 Days of Sodom; shares how much he learned about filmmaking from supplemental features on the Criterion editions of Barry Lyndon and Roma;...
This Oscar-winning director began his career as a visual artist before moving on to create audacious narrative features about marginalized people, including the Black community in his native London.
With his candid portraits of musicians and political figures, this trailblazer of observational cinema redefined the documentary form and popular culture at large.