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Work It

Sep 29, 2003 In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...

Aug 20, 2001 Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.

Sisters

Essays

Oct 2, 2000 The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...

L’avventura

Essays

Dec 11, 1989 Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

Feb 20, 2026 Steven Soderbergh talks and two retrospectives showcase work by Raymond Depardon and John Schlesinger.

Jun 18, 2024 In this stylish erotic noir, Lilly and Lana Wachowski delight in destabilizing our genre and gender expectations, laying the foundation for the trans sensibility that runs through all their work.

Nov 30, 2023 A retrospective in New York offers an opportunity to delve into Yoshida’s views on the work of early masters such as Kurosawa and Ozu.

Oct 8, 2021 Apichatpong Weerasethakul’s new film will eventually make it to your local theater, and critics say it’s worth the wait.

Jun 22, 2021 The multi-hyphenate artist’s staggering and frequently autobiographical body of work reimagines the depiction of Black people in American culture, encouraging us to question everything we see.

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