We Hold These

Feb 25, 2026 — A survey of Black cinema and memories of watching movies with John Ashbery are among this month’s highlights.

Feb 20, 2026 — Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.

Feb 3, 2026 — This year’s winners tell stories of trauma and triumph.

Nov 18, 2025 — Though the first two decades of the Iranian filmmaker’s career have long been underappreciated, this fertile period yielded philosophical and restlessly innovative works that reinvigorated both documentary and narrative-fiction cinema.

Nov 13, 2025 — The director of Rat Trap and Monologue was an uncompromising artist who helped establish the Indian state of Kerala as a hub of bold political filmmaking.

Oct 30, 2025 — Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.

Oct 16, 2025 — This month, join us for a Thanksgiving feast of some of the movies’ most memorable family reunions, or delve into the dark alleyways of noir mysteries built around protagonists tormented by amnesia, memory holes, and drunken blackouts.

Oct 1, 2025 — In his second stop-motion feature, Wes Anderson grapples with what it means to acknowledge one another within systems that separate beings between pet and master, wild and tamed.

Sep 22, 2025 — The director of the documentary Celluloid Underground discusses his life as a curator, Iranian film culture, and the inherent ephemerality of cinema.

Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.