The Criterion Collection
Apr 30, 2009 — The concept of “obscenity” is tested when we dare to look at something that we desire to see but have forbidden ourselves to look at. When we feel that everything has been revealed, “obscenity” disappears and there is a certain...
Feb 26, 2009 — Criterion’s own Danny Walton was featured in his hometown Times-Picayune for a film he recently shot on location in the New Orleans area, his thesis project for the School of Visual Arts, here in New York City. It was a...
Dec 2, 2008 — Ian Thomson has written a fascinating piece on Pier Paolo Pasolini for the Times Online, on the occasion of the publication of two books on the Italian filmmaker-writer-poet: John David Rhodes’s new study of Pasolini’s Rome, Stupendous, Miserable City, and...
Dec 6, 2004 — In his first freestanding biblical epic, Cecil B. DeMille recognized and revered a profound quality in the American soul—its ability to leap over every contradiction through an invincible sense of its own righteousness.
Essays
Apr 29, 2002 — Though set in wartime Soviet Union, Grigori Chukhrai’s drama walks away from the genre of war film, creating a portrait of life and problems behind the lines of battle.
Sam Lipsyte is the author of four novels, including Hark, The Ask (New York Times Notable Book for 2010), Home Land (New York Times Notable Book for 2005 and winner of the Believer Book Award), and The Subject Steve, as...
George Perry is the films editor for the Sunday Times, London, and the author of two books on Monty Python, among many others.
Jul 25, 2024 — During a tumultuous period in New York’s history, movies like Midnight Cowboy, Taxi Driver, and Shaft found excitement and squalor in one of the city’s most infamous tourist attractions.
The Daily
May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.
The Daily
Apr 23, 2021 — This week we’re reading A. S. Hamrah on the contenders for this year’s Oscars and Ben Hecht on the state of Hollywood in 1938.