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The Shape of Water

Jan 17, 2020 Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...

Oct 6, 2017 “In both shape and sensibility, the work of Los Angeles-based filmmaker Ben Russell embodies a fluid yet holistic creative practice,” writes Jordan Cronk, introducing his interview for Film Comment. “A spiritual descendant of cinematic anthropologists Jean Rouch and Robert Gardner,...

Nov 11, 1991 The following notes are by Mark Kasdan, co-writer and associate producer of Silverado. Albert Camus wrote that a person’s lifework may be “nothing but a long journey to find again, by all the detours of art, the two or three...

Mar 18, 2026 This month’s highlights include a collection of corporate thrillers, a survey of an emerging generation of trans auteurs, and a new installment of Adventures in Moviegoing with Mary Bronstein.

May 14, 2026 Channel Calendars This month on the Criterion Channel, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals...

Dec 20, 2019 The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...

Aug 2, 2017 Writer-director Michael Almereyda spoke with us about his two latest films and the passions that continue to fuel his creative life.

Sep 22, 2020 Francesco Rosi’s film Christ Stopped at Eboli (1979) is based on Carlo Levi’s novelistic memoir of the same name, which became an instant classic of Italian literature when it appeared at the end of World War II, in 1945. In...

May 18, 2018 Improvising to Jim Jarmusch’s film in real time, Neil Young created a rich parallel environment that sounds like a force of nature.

Oct 6, 2017 Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...

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