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The Sect

Aug 4, 2010 Québécois filmmaker Xavier Dolan’s debut feature, I Killed My Mother, won three prizes in the Directors’ Fortnight section of the 2009 Cannes Film Festival, and his follow-up, Heartbeats, competed for the festival’s Un certain regard. An avowed Criterion addict, Dolan...

Nov 6, 2006 The New York Times ran a really nice piece about the Janus box this morning. It started on the front page of the Arts section and jumped to another half page inside. It featured big pictures from M, L'Avventura, Seven...

Nov 11, 2002 Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Jamelle Bouie is a columnist for the New York Times Opinion section and the cohost of the podcast Unclear and Present Danger. He lives in Charlottesville, Virginia.

Oct 2, 2025 The festival presents new films from Gianfranco Rosi, Kahlil Joseph, Laura Poitras and Mark Obenhaus, and Lucrecia Martel.

Oct 2, 2025 In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.

Jul 17, 2025 Among this month’s highlights are a spotlight on ’90s soundtracks, a celebration of Hong Kong icon Sammo Hung, and a retrospective of the work of Spanish auteur Bigas Luna.

Sep 25, 2024 A dozen newly restored films from the 1970s, ’80s, and ’90s will screen in this year’s program.

The Endless Cycle

The Daily

May 31, 2024 This week revives the ghost of Fellini and overflows with conversations about movies, movies, and more movies.

Mar 6, 2024 The reviews are strong, and one excerpt focuses on the influential film pages.

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