The Point Men

Sep 11, 2020 — As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.

Jul 3, 2020 — As The War of the Worlds is essentially a cautionary tale, each generation gets its own adaptation of H. G. Wells’s classic account of extraterrestrial invasion—one of the several seminal science-fiction novels, also including The Time Machine (1895) and The...

May 11, 2020 — One Scene Over the course of four features and several shorts, Brooklyn-based documentary filmmaker Matt Wolf has mined the histories hidden in archives, stitching together a rich and complicated view of twentieth-century America. He’s drawn to subjects that are misunderstood...

Feb 3, 2020 — Nearly half of the awards presented over the weekend went to female filmmakers.

Jan 21, 2020 — The Mankiewicz brothers, Jonas Mekas, Werner Herzog, Sidney Lumet, and Ja’Tovia Gary all figure in this month’s roundup.

Sep 30, 2019 — Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.

Sep 16, 2019 — Martin Eden tops the Platform competition, while audiences go for Jojo Rabbit.

Jun 7, 2019 — He is the most disarming and self-effacing of the English actors who dominated stage and screen in the middle of the twentieth century—the others were John Gielgud, Ralph Richardson, Michael Redgrave, and Laurence Olivier. Those fellows carried themselves like grand...

May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...

May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...