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The Myth

Jul 17, 2024 Glauber Rocha’s ambitious breakthrough film manifested the project of Cinema Novo, a new wave that sought to overcome the influence of Brazil’s colonial origins and find images and sounds that could reconceive the nation.

August Books

The Daily

Aug 17, 2022 Our late summer reading list includes vital film criticism and new titles on Josephine Baker, Douglas Fairbanks, and more.

Oct 22, 2021 Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. Americans have long been encouraged to buy into the...

Oct 12, 2021 In Raoul Walsh’s elegy for the Depression-era archetype of the noble outlaw, Humphrey Bogart plays an old-fashioned desperado who has outlived his time.

Feb 4, 2021 Here’s an overview of what critics have been saying about this year’s winners.

Jul 27, 2020 The first shot of Atom Egoyan’s 1984 debut feature, Next of Kin, is a ground-level pan across the baggage claim section at Toronto’s Pearson Airport. The camera is angled so that our gaze is on the various pieces of luggage...

Nov 5, 2017 New York. “It’s probably pure coincidence that BAM is presenting a week of Sam Shepard films right as the Metrograph screens five days of Dennis Hopper–directed titles,” writes Bilge Ebiri. “No two actors of their generation better expressed the modern...

Aug 8, 2017 “The gaffers and grips, the electricians and sound men, all the technicians begin to mill about briskly on the thick-sodded grass adjacent to the ice-rimed children’s wading pool. Even the park’s casual strollers, walking their diarrheic poodles and mastiffs, begin...

Jun 26, 2017 “There can be no debate over the fact that for most of its history Cannes has been the key launching pad for what will account for a fair percentage of the year’s most important films,” grants Cinema Scope editor Mark...

Mar 9, 2016 Earlier this year we were proud to release Swedish director Jan Troell’s two-film epic, The Emigrants (1971) and The New Land (1972). The films, starring Liv Ullmann and Max von Sydow, are based on Swedish author Vilhelm Moberg’s four-part series...

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