The Criterion Collection
The Daily
Apr 18, 2019 — This year promises a healthy mix of renowned auteurs and younger talents—and there’s more to come.
The Daily
Jan 11, 2018 — The turn of each year always sees a flurry of listing, remembering, and anticipating that seems to knock just plain reading off the agenda for the time being. Now, a little over a week into the new year, we can...
The Daily
Jan 10, 2018 — Before looking back on the highlights of his 2017 in an entry for Filmmaker, Vadim Rizov has a note or two on attending the recent New York Film Critics Circle awards dinner: The very concept of a critics’ award ceremony...
The Daily
Jun 6, 2017 — Once again, we open an entry with a tip from Catherine Grant, the new twelfth issue of Cine-Files, a special commemorative issue “dedicated to the films and artistic legacy of Jacques Rivette and Chris Marker.” Editor Mary Wiles: “Both directors,...
Apr 16, 2013 — With its idiosyncratic humor, killer soundtrack, and middle finger to Reagan-era politics, Alex Cox’s film was the perfect cult hit for the golden age of the video store.
Nov 28, 2010 — “What we need are good old American—and that’s not to be confused with European—Art Films.” So declared the then twenty-nine-year-old beatnik Method actor Dennis Hopper in an unpublished 1965 manifesto. “The whole damn country’s one big real place to utilize...
Jan 22, 2007 — A delightfully old-fashioned morality tale, Robert Day’s low-budget space flick is far more than the standard monster fare it was initially sold as.
Essays
Sep 13, 2011 — Robert Altman’s spellbinding drama about stolen identities is propelled by evanescent reveries of his own and inventive contributions from cast and crew.
Apr 12, 2011 — The following is excerpted from Melville on Melville, a book-length interview by Rui Nogueira first published in 1971. How do you feel about your twelfth film, Le cercle rouge? Since there’s no knowing if there will be a thirteenth, l...
Sep 19, 2005 — Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.