The Criterion Collection
Sep 1, 2016 — Balancing epic scale with lyrical intimacy, Orson Welles inflects the spirit of Shakespeare’s history plays with his own zest for cinematic invention.
The Daily
Jul 31, 2023 — Featuring restorations of films by Chaplin, Henry King, Frank Borzage, Allan Dwan, the Museum’s series starts Wednesday.
The Daily
Jan 25, 2021 — The blacklist couldn’t stop the irrepressible screenwriter known for his work with Sidney Lumet and Martin Ritt.
The Daily
Sep 2, 2020 — Festival directors join Venice head Alberto Barbera, who encourages the industry to get back up and running again.
The Daily
Aug 17, 2020 — Louise Brooks, Oliver Stone, James Stewart, Andy Warhol, and more are here to help relieve this year’s summer doldrums.
The Daily
Mar 12, 2018 — After Paula Prentiss, who’s recently turned eighty, had a nervous breakdown on the set of What’s New, Pussycat? (1965), she “didn’t turn up in another movie until Mike Nichols’s Catch-22 (1970), by which time Hollywood had changed to the point...
Feb 2, 2011 — This essay first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the author. Michelangelo said he could sense the figure in the uncut stone; his job was...
Essays
Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...
The Daily
May 17, 2023 — Now that Jeanne du Barry has opened this year’s edition, critics look ahead to the movies they’re anticipating most.
The Daily
Aug 16, 2023 — This month’s roundup spotlights summer blockbusters, historical perspectives, and dazzling costumes.