The Criterion Collection
The Daily
Dec 12, 2017 — “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...
Jul 19, 2017 — “Yvonne Rainer stands as one of the most influential choreographers of the past fifty-plus years,” begins Melissa Anderson in the Village Voice. “In 1962 she co-founded the Judson Dance Theater, that exalted wellspring of experimental movement; a decade later, she...
Jul 5, 2017 — “Today,” begins Flavorwire’s Jason Bailey, “New York’s Film Forum begins a fabulous new retrospective series, Ford to City: Drop Dead—New York in the 70s, which draws its title from the notorious New York Daily News headline paraphrasing of President Gerald...
Essays
Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
Nov 18, 2015 — Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.
Jul 14, 2015 — Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.
Features
May 7, 2015 — Movie comedies about moviemaking through the decades
Aug 18, 2014 — The director explains the inspiration for his provocative erotic comedy, and how he dove into it even before finishing his previous movie.