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The Doors

Jan 10, 2005 Seijun Suzuki made a breakthrough with his second feature, a yakuza thriller full of devil-may-care assurance and try-anything imagination.

Apr 28, 2026 As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...

A Robust Round

The Daily

Nov 13, 2020 We’re keeping busy with online festivals, awards nominations, remembrances, and plenty of weekend reading.

Oct 18, 2019 Art-House America Like a number of theaters featured in our Criterion Channel series Art-House America, the Loft Cinema once faced the threat of its doors closing permanently. Born in 1972, and originally based in a small space near the University of Arizona, this...

Aug 12, 2017 The International Jury of this year’s Locarno Festival, presided over by Olivier Assayas and including Jean-Stéphane Bron, Miguel Gomes, Christos Konstantakopoulos, and Birgit Minichmayr, has awarded the Golden Leopard to Wang Bing’s Mrs. Fang—we’ve gathered reviews here. “I’ve been working...

Locarno 2017

The Daily

Aug 2, 2017 “‘I will tell you immediately that 70 years is not an arriving point but a starting point,’ insists Locarno’s long-serving president Marco Solari of the festival’s platinum year.” So begins Geoffrey Macnab’s overview of this year’s edition, opening today and...

Oct 9, 2012 British wartime audiences ate up these rule-breaking costume pictures—entertainments for a populace seeking escapism.

Nov 27, 2008 Despite Samuel Fuller’s career-long penchant for giving controversial subjects a punchy, exploitation-movie spin, his twenty-first feature was the first to suffer outright suppression.

Jan 17, 2005 Jacques Becker’s crime film contains plenty of the requisite genre elements—double-crossings, violence, kidnappings, and gun battles—but it’s also a pensive meditation on age, friendship, and lost opportunities.

Dec 29, 2015 One refrain often heard in discussions of twenty-first-century film culture is a lament for the loss of social film viewing. While we celebrate the fact that digital technologies have given us convenient access to unprecedented numbers of movies, old and...

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