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The Companion

Sep 30, 2017 “Nine years in the making, Western draws its title from [Valeska] Grisebach’s generic source inspiration, the American Western,” wrote Michael J. Anderson in a dispatch back to the Oklahoma City Museum of Art a couple of weeks ago. “Noted for...

Aug 30, 2017 “You could argue that [Janicza Bravo’s] Lemon thinks too much about its own face, its style over its substance,” writes Niela Orr for the Baffler, “but it does so in service of its critique of white male narcissism. To this...

Dec 5, 2012 In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.

Jul 19, 2004 Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”

Oct 9, 2020 In Scoundrels & Spitballers: Writers and Hollywood in the 1930s, veteran French journalist Philippe Garnier brings to life an enchantingly raffish community of typewriter-pounders who headed west to try their luck in the verbal gold rush set off by the...

Dec 23, 2019 Fear and desire lie at the heart of Peter Strickland’s cinema, whether he’s exploring those themes through the sonic, the sexual, the sartorial, or some diabolical combination of all three. With his masterful sense of film technique, the British director...

Dec 1, 2017 Press NotesOne of the great masters of melancholy comedy, Finnish director Aki Kaurismäki, returns to theaters today with The Other Side of Hope, his first film since 2011’s Le Havre. Continuing his empathetic exploration of global migration, Kaurismäki’s latest is...

Jan 27, 2007 Despite all the hype (or maybe because of it), it wasn’t that hard to get into the films I wanted to see. Standing on the last minute wait line worked for me every time, although that might say something for...

Feb 27, 2018 In a new episode of Observations on Film Art, film-studies scholar Kristin Thompson analyzes the lyrical techniques in Raymond Bernard’s brutal war drama Wooden Crosses.

Mar 4, 2016 Over the past half century, production designer Jack Fisk has created some of cinema’s most memorable on-screen worlds—from the farmlands of early-twentieth-century Texas to the byways of contemporary Los Angeles.

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