The Criterion Collection
Apr 20, 2009 — The French scientist-educator-filmmaker Jean Painlevé’s groundbreaking work consistently revealed not only a commitment to informed science and effective communication but to the creative expression of ideas.
Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.
Mar 10, 2021 — For about five minutes in Alan J. Pakula’s The Parallax View, the lights go down on our movie and we’re shown another—an increasingly deranged propaganda short designed to suss out whether someone is Parallax material. That is to say, an...
Mar 13, 2004 — With uncharacteristic warmth and affection for human frailty, Ingmar Bergman raises the question of how love can possibly last forever.
Jun 9, 2014 — Your vigilance as an artist is an amorous vigilance, a vigilance of desire.—Roland Barthes to Michelangelo Antonioni, 1979 It’s lamentable that Michelangelo Antonioni, one of the most fashionable vanguard European filmmakers during the sixties, has mainly been out of fashion...
The host of the hit interview show Chicken Shop Date talks about Portrait of a Lady on Fire and being drawn to films with undeniable chemistry, praises 12 Angry Men as one of the greatest films of all time, and...
Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.
Jun 2, 2017 — In this supplemental feature from our newly released edition, the cast of Terry Zwigoff’s first narrative film discuss the creative freedom they experienced while working with him.
Nov 21, 2016 — By turns hilarious and heartrending, The Squid and the Whale is one of Noah Baumbach’s most autobiographical works. Rooted in his experiences growing up in a hyperliterate household in 1980s Park Slope, this ensemble comedy captures the tempestuous dynamics between...
Features
Aug 1, 2023 — “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...