The Criterion Collection
The Daily
Oct 13, 2022 — Denis’s second film of the year split the critics when it won a Grand Prix in Cannes—and it’s still splitting them now.
Jun 21, 2022 — “The best actors in the world,” he once said, “are those who feel the most and show the least.”
The Daily
Jan 4, 2022 — A thread runs from the Truffaut season in the UK through the Rivette retrospective in Paris to the first feature directed by Juliet Berto.
May 6, 2021 — Fame, as the Chilean writer Roberto Bolaño once observed, is reductive. “Everything that ended in fame and everything that issued from fame was inevitably diminished,” he wrote in 2666, an epic novel published after his death.What Bolaño identified as the...
Apr 9, 2021 — Uncovering “The Naked City,” Bruce Goldstein’s scintillating chronicle of The Naked City’s groundbreaking New York location shoot, is more than the best “where-they-filmed-it” doc ever made. As Goldstein wittily traces director Jules Dassin’s Gotham roots and influences, this twenty-three-minute documentary—now...
The Daily
Jan 7, 2020 — The filmmaker, theater director, and Actors Studio instructor had a seemingly endless string of stories to tell.
The Daily
Sep 6, 2018 — New films by Jennifer Kent, Jacques Audiard, Paul Greengrass, and Pablo Trapero.
Interviews
Jun 20, 2017 — With both films now streaming on the Criterion Channel, director Carroll Ballard discusses the parallels between his short documentary Rodeo and Francesco Rosi’s bull-fighting classic The Moment of Truth.
Features
Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.
Oct 5, 2016 — Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.