The Criterion Collection
Dec 9, 2018 — Songbook The final scene of Robert Altman’s 1975 film Nashville belongs to the transient wannabe singer Albuquerque, played by the late Barbara Harris. Up to that point, the storyline has followed numerous musician characters who are striving to get discovered or bolster...
The Daily
Aug 27, 2021 — This week we’re delving into the history of Black cinema and reflecting on films from Afghanistan and Iran.
Features
Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.
The Daily
Aug 7, 2025 — A highlight among the many goings on in New York over the next several weeks is a tribute to Luc Moullet.
The Daily
Nov 3, 2017 — “The return of Twin Peaks in 2017 came like a Taser shock to the ‘golden age of television,’ overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of...
Jun 27, 2011 — Shot in Berlin on the eve of the Great Depression with almost no budget, an equally modest cast of amateur actors, a relatively untested, unknown crew, and no major studio backing, the late silent film People on Sunday (1930) has...
May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton
Essays
Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...
Essays
Aug 28, 2000 — Alberto Lattuada’s gifts for dramatic narrative were joined for the first and last time with Federico Fellini’s flair for cartoonish satire and lyrical sentiment.
Jun 28, 2022 — Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.