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Red Beard

Essays

Nov 19, 1989 After finishing High and Low (1963), director Akira Kurosawa recalls, “I started looking around for something else to do and quite by accident picked up [the novel] Red Beard by Shugoro Yamamoto. At first I thought it would make a...

Jul 12, 2022 In David Lean’s Venice-set romance, a fleeting love affair prompts a woman’s self-exploration.

Sep 22, 2021 No one’s claiming that Cry Macho is a great movie, but plenty are moved to reflect on what Eastwood has meant to us over all these years.

Jun 22, 2021 The multi-hyphenate artist’s staggering and frequently autobiographical body of work reimagines the depiction of Black people in American culture, encouraging us to question everything we see.

Feb 22, 2021 Labor films are not where one typically goes when seeking love and grace. They are more often concerned with bodies subjected to torsion and the furrowed brow of someone who knows the cupboards are growing bare. Then there are the...

Sep 16, 2020 Glenn Kenny’s new book on Scorsese’s Goodfellas scores raves and Coppola has been tinkering with The Godfather again.

May 20, 2019 For many, the semi-autobiographical film is one of Almodóvar’s best in years.

May 7, 2018 And it’s May ’68 all over again in New York, D.C., and London. Plus Bergman in L.A., Tarkovsky in San Sebastián, and more.

Jan 30, 2018 “In what he describes as a ‘forward’ to this film, director Jan Svankmajer—talking straight to the camera and fluffing his lines repeatedly—admits that he doesn’t actually know what this, apparently his final picture, is about.” So begins Wendy Ide in...

Jan 24, 2018 Wildlife, an adaptation of Richard Ford’s 1990 novel, “finds Paul Dano transporting his usual reserve as a performer (bellowing country preachers excepted) from one side of the camera to the other,” writes the A.V. Club’s A. A. Dowd. “Set in...

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