The Criterion Collection
Essays
Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.
The Daily
Mar 31, 2026 — A seven-film series in London takes measure of nuclear anxiety behind the Iron Curtain.
Mar 27, 2026 — The first documentary feature about the rock legends, Charlie Is My Darling captures the band as a group of consummate musicians coming into their fame, fully committed to their craft and enjoying one another’s company.
The Daily
Mar 26, 2026 — The star of Lady Snowblood and the Stray Cat Rock and Female Prisoner Scorpion series will be taking questions.
The Daily
Mar 25, 2026 — The Harvard Film Archive celebrates the first decade of work by a key figure of the Japanese New Wave.
Mar 24, 2026 — Martin Scorsese’s powerful drama, which recounts a series of killings that devastated the Osage Nation in 1920s Oklahoma, turns the historical epic into a Möbius strip that blurs audience, film, and director.
The Daily
Mar 18, 2026 — The London festival celebrates forty years of showcasing great queer cinema.
The Daily
Mar 11, 2026 — TIFF Cinematheque spotlights the work of both an Iranian exile and a Lebanese artist and filmmaker.
The Daily
Feb 26, 2026 — This year’s program features a new restoration of a Martin and Lewis comedy in Technicolor and 3D.
The Daily
Feb 25, 2026 — A survey of Black cinema and memories of watching movies with John Ashbery are among this month’s highlights.