Jul 23, 2024 Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.

Jul 18, 2024 Daniella Shreir, the translator of a collection of Duras’s writing on her films, has curated a comprehensive retrospective.

Japan Cuts 2024

The Daily

Jul 10, 2024 This year’s edition opens with jazz, features three revivals, and wraps with Godzilla.

Jul 3, 2024 Pop Shakespeare, 100 years of Disney, and conversations with Isaac Julien and Steven Soderbergh are among this week’s highlights.

Jun 26, 2024 A happily married lawyer strikes up an affair with her teenage stepson in Breillat’s first feature since Abuse of Weakness (2013).

Jun 6, 2024 In the run-up to the release of Green Border, the Museum of the Moving Image will present a two-week, ten-film survey of her work.

Light in Stereo

The Daily

May 17, 2024 We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.

May 7, 2024 This year’s edition features work by Michel Khleifi, Antoinetta Angelidi, Amit Dutta, Raúl Ruiz, and Tsai Ming-liang.

Screens Aglow

The Daily

May 3, 2024 Hiroshi Shimizu and Oscar Micheaux retrospectives open in New York and cinematographer Hélène Louvart talks about working with Varda, Wenders, and more.

Apr 18, 2024 As TCM turns thirty, the festival opens with a thirtieth-anniversary screening of Pulp Fiction.

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