The Criterion Collection
Jul 23, 2024 — Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.
The Daily
Jul 18, 2024 — Daniella Shreir, the translator of a collection of Duras’s writing on her films, has curated a comprehensive retrospective.
The Daily
Jul 10, 2024 — This year’s edition opens with jazz, features three revivals, and wraps with Godzilla.
The Daily
Jul 3, 2024 — Pop Shakespeare, 100 years of Disney, and conversations with Isaac Julien and Steven Soderbergh are among this week’s highlights.
The Daily
Jun 26, 2024 — A happily married lawyer strikes up an affair with her teenage stepson in Breillat’s first feature since Abuse of Weakness (2013).
The Daily
Jun 6, 2024 — In the run-up to the release of Green Border, the Museum of the Moving Image will present a two-week, ten-film survey of her work.
The Daily
May 17, 2024 — We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.
The Daily
May 7, 2024 — This year’s edition features work by Michel Khleifi, Antoinetta Angelidi, Amit Dutta, Raúl Ruiz, and Tsai Ming-liang.
The Daily
May 3, 2024 — Hiroshi Shimizu and Oscar Micheaux retrospectives open in New York and cinematographer Hélène Louvart talks about working with Varda, Wenders, and more.
The Daily
Apr 18, 2024 — As TCM turns thirty, the festival opens with a thirtieth-anniversary screening of Pulp Fiction.