My Name is Joe

Jan 21, 2022 — This week: Sundance at thirty and Ways of Seeing at fifty, plus the Márta Mészáros and Bill Morrison retrospectives and a new Cinema Scope.

Nov 29, 2021 — The composer and lyricist who reinvented the American musical was “more of a film buff than a theater buff.”

Aug 6, 2021 — At a perilous moment in the history of the western, a series of films by Budd Boetticher and Randolph Scott stood out for their no-nonsense lucidity.

Feb 18, 2021 — We’re reading about Visconti, Fellini, Tom Stoppard, Eartha Kitt, and Anton Walbrook.

Nov 2, 2020 — Two decades before his inspired turn in Parasite (2019) as a chiseling patriarch—The Man With No Plan—Song Kang-ho became a symbol of new wave South Korean cinema by starring in a pair of iconic films as the movement was beginning...

Aug 27, 2020 — In his novel All the Rest Have Died (1964), about his experience as a young actor in New York, Bill Gunn wrote, “I was always only slightly aware of the injustice the Black artist suffers while trying to create in...

Jul 31, 2020 — This week we’re reading about Stanley Kubrick, Jean-Luc Godard, Luchino Visconti, Amy Seimetz, and the cinematic allure of fictional cults.

Jan 17, 2020 — Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...

Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.

May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.