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Love and Anger

Jun 27, 2011 A rogue’s gallery of vituperative 1950s vixens and night-world tough-guy gargoyles all coalescing in a constellation of twinkling cold war lights, Robert Aldrich’s Kiss Me Deadly is a film of a thousand stars. Stars of every sort, size, and description:...

Nov 8, 2010 To say that Lars von Trier deals in provocation and controversy is like saying John Ford made westerns: obviously true, but far from giving a measure of the director’s importance. Ever since The Element of Crime polarized critics at Cannes...

May 20, 2010 Driven to Destruction Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a...

Dec 1, 2009 In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...

Dec 9, 2002 What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.

Oct 1, 2014 In the hands of director Serge Bourguignon, a potentially sensationalistic story becomes a poetic and complex investigation of love and pain.

Jun 13, 2025 Darling and Dogma are back in theaters, and Edmund White is remembered with his great essay on Jean Genet and Jean Cocteau.

May 27, 2025 Suffused with slapstick humor and slightly surreal wit, Richard Lester’s beloved take on a frequently adapted adventure epic embodies a style of extravagant filmmaking that didn’t survive long past the 1970s.

Sep 18, 2025 This month’s programs offer a feast of horror, including a John Carpenter retrospective and a collection of the most terrifying films of the 2000s.

What Might Be

The Daily

Jul 3, 2025 The week wraps with Peter Wollen on Performance, a top ten from Radu Jude, and a conversation with Dag Johan Haugerud.

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