The Criterion Collection
Dec 29, 2022 — From deeply researched surveys of great filmmakers’ careers to idiosyncratic takes on under-examined corners of cinema history, the writing we published this year offered an array of entry points into the art form we all love.
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
Essays
Jul 12, 2022 — In David Lean’s Venice-set romance, a fleeting love affair prompts a woman’s self-exploration.
Jun 1, 2022 — With his love of dissonance and bold use of dramatic motifs, the Hungarian-born composer Miklós Rózsa popularized a whole new style of film music.
The Daily
May 20, 2022 — Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.
The Daily
Apr 19, 2022 — The Cannes sidebar will present new films by Mia Hansen-Løve, Léa Mysius, João Pedro Rodrigues, and Alex Garland.
The Daily
Nov 10, 2021 — Over time, the former child star learned to love his work.
The Daily
Jul 14, 2021 — Cannes premieres new work from Mia Hansen-Løve, Wes Anderson, Nanni Moretti, Asghar Farhadi, and Kirill Serebrennikov.
The Daily
Jun 29, 2021 — Here’s the latest on projects in the works from Lynne Ramsay, Walter Hill, David Fincher, Mia Hansen-Løve, and more.
The Daily
Sep 15, 2020 — For some, this nineteenth-century love story “never catches fire,” but for others, it’s “one of the finest films of the year.”