Lives of Performers

Jun 19, 2012 — Steven Soderbergh delivers a poignant psychological portrait of the late Spalding Gray in this deftly structured documentary.

May 14, 2026 — Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.

Mar 17, 2020 — Released in, or rather let loose upon, the first year of the new millennium, Spike Lee’s febrile and ferocious media satire Bamboozled—the fifteenth feature-length “joint” of a prolific career—found its writer-director in an unflinching mode and an unforgiving mood. According...

Jul 30, 2019 — One Scene Though he works in the highly stylized realm of the horror genre, Ari Aster’s acute attention to the fraught dynamics of intimate relationships—evident in his psychologically penetrating new film Midsommar—makes it easy to see how he draws inspiration...

Oct 18, 2022 — Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.

Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.

Nov 19, 2020 — For most of my life, makeover sequences in film comedies held an irresistible allure. The mousy young woman who realizes her own inner and outer (but mostly outer) beauty after receiving the attentions of the right man (or the right...

May 27, 2020 — In John Cassavetes’s Husbands, the director, Ben Gazzara, and Peter Falk play Gus, Harry, and Archie, three middle-aged, middle-class suburbanites who come together at the funeral of their close mutual friend Stuart, and, united in grief, commence drinking together. And...

Aug 4, 2003 — Shohei Imamura’s lurid black comedy showcases the director’s passion for everything that’s kinky, lowlife, or irrational in Japanese culture.

Sep 17, 2024 — With grisly special-effects showcases, some of cinema’s most memorable witches, Japanese horror classics, and spine-tingling Stephen King adaptations all on deck, there’s plenty to choose from for your spooky-season viewing.