Life Goes On

Sep 26, 2023 — Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.

Aug 8, 2023 — Premiering in competition, Do Not Expect Too Much from the End of the World is an immediate critical favorite.

Jun 20, 2023 — In their first collaboration, director Joseph Losey and screenwriter Harold Pinter explore the cultural fissures in modern England by dramatizing a kind of role-play in which no role is stable or easy to define.

May 24, 2023 — Two of Cannes’s favorite directors, Aki Kaurismäki and Wes Anderson, return to the competition.

Feb 28, 2023 — In his directorial debut, Robert Townsend channeled his frustrations with the typecasting of Black actors, resulting in a satire whose hilarious critique of Hollywood still resonates today.

Oct 27, 2022 — To capture the spirit of Frank Capra’s dark screwball classic, Criterion enlisted a longtime collaborator to create an image that combines the influences of Old Hollywood illustrator Jacques Kapralik and legendary pen-and-ink artist Edward Gorey.

Oct 18, 2022 — Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.

Oct 7, 2022 — This underappreciated 1968 film is a feast of dark delights, filled with vengeful ghosts, psychically linked identical twins, obsessed mad scientists, creepy priests, and seemingly sentient skeletons.

Sep 7, 2022 — The first reviews are in for new films by Martin McDonagh, Joanna Hogg, Emanuele Crialese, and Koji Fukada.

May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.