The Criterion Collection
Essays
Jun 14, 2022 — Ekwa Msangi’s intimate feature debut pushes the conventions of the immigrant family drama.
Features
May 11, 2022 — Louis Feuillade’s influential serial Les Vampires reflected the French national subconscious at the time by depicting a madcap world of anarchy and violent spectacle.
May 5, 2022 — Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...
The Daily
Apr 15, 2022 — This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.
The Daily
Apr 14, 2022 — The seventy-fifth edition will present new work from Claire Denis, David Cronenberg, Kelly Reichardt, and Hirokazu Kore-eda.
The Daily
Apr 12, 2022 — The director of The Witch and The Lighthouse returns with a revenge-driven tale set in tenth-century Iceland.
Mar 28, 2022 — Rosine Mbakam’s documentaries are exercises in reconfiguring relations of power. Her first three nonfiction features are all portraits of Cameroonian women, each of whom is invited to participate in coconstructing a cinematic space of testimony, candor, and expressive autonomy. Filmed...
Mar 18, 2022 — With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
The Daily
Jan 18, 2022 — MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.