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Feb 22, 2022 In centering the perspectives of refugees, Hong Kong filmmaker Ann Hui created a work of political solidarity that stands in contrast to the dehumanizing cinematic depictions of Vietnam from the period.

Feb 9, 2022 The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...

Feb 8, 2022 A Prohibition-era gangster saga, the Coen brothers’ third feature is an enigmatic fable of violence, loyalty, and existential unease.

Jan 13, 2022 Yes, he opened doors, but he also brought a singular presence to American cinema.

Jan 11, 2022 A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.

Dec 14, 2021 In 1968, soon after he graduated from the Film and Television Institute of India, Mani Kaul made an arresting short titled Forms and Designs. It observes artisans at work across the country, some swimming alone against the tide of mass...

Good Old New Waves

The Daily

Dec 3, 2021 In the spotlight this week: Mario Monicelli, Michael Snow, Gordon Parks, Fronza Woods, and the Japanese New Wave.

Dec 1, 2021 Celebrate the holidays with our 21-film Alfred Hitchcock retrospective and a series dedicated to collaborations between female directors and cinematographers.

Nov 30, 2021 Lost films are not the only tragedy of the silent age. It’s time that we counted up all the forgotten stories, and the overlooked connections as well. The truth is that lost films and lost memories can’t be separated. One...

Nov 23, 2021 Written and directed by the Safdie brothers, Josh and Benny, as a vehicle for two icons, funnyman Adam Sandler and basketball great Kevin Garnett, Uncut Gems (2019) is breathtakingly profane, alarming, and comic. Most simply described, the movie is one...

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