Businessman

Sep 23, 2002 — The theatricality of Alfred Hitchcock’s thriller makes the point that psychoanalysis is a sister to cinema rather than a rival.

Mar 11, 2002 — This compendium of visual delights displays director Federico Fellini’s team of performers, writers, and designers at full and exhilarating stretch.

Aug 20, 2001 — Preston Sturges’s generous-hearted satire achieves a synthesis that is both terribly funny and deeply moving.

Nov 23, 1998 — Harold Shand, the London crime boss at the center of The Long Good Friday, is more than an antihero. He’s the Antichrist, uniting bourgeoisie and barbarians in a simultaneous Pax and Pox Brittanica. With the “legitimate” help of cops and...

Dec 11, 1989 — Previous rock-and-roll movies had been little more than showcases for the latest music, aimed at exploiting the youth market, cheaply made and melodramatic—then along came one of the most finely crafted films ever made about rock-and-roll.

May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

Mar 17, 2026 — Film at Lincoln Center presents a series of films leading up to the U.S. release of Miroirs No. 3.

Jul 16, 2025 — Opening in New York this week, the program is heading next to Austin, Seattle, Los Angeles, and Vancouver.

Apr 3, 2020 — Everyone remembers their first time with Toshiro Mifune. With almost anyone else, such a first would be recollected with a shrug or a casual “it was . . . fine.” But Mifune induces delirious and perfect recall: of him flat...

Feb 21, 2020 — Reflections from Bong Joon-ho’s interpreter and a report from the set of Apichatpong Weerasethakul’s Memoria open this week’s wide-ranging round.