Bullet

Dec 3, 2008 — Gliding on silvery reels of steel, and tricked out with Lars von Trier’s panoply of visual effects, the film ravishes with its elaborately storyboarded tunnel vision.

Nov 27, 2008 — A genuine cause célèbre, adapted from Romain Gary’s 1970 nonfiction novel, Samuel Fuller’s late work is an unusually blunt and suggestively metaphoric account of American racism.

Jul 21, 2008 — Akira Kurosawa’s modern adaptation of an American thriller represents a departure from his usual themes and stylistic choices.

May 21, 2007 — Carol Reed’s masterpiece dives deep into the life and mind of screenwriter Graham Greene, one of Britain’s greatest postwar novelist.

Mar 16, 2007 — The first of his films to be shown outside Japan, Ichikawa Kon’s twenty-seventh feature dramatically raised the director’s profile.

Oct 24, 2005 — Kihachi Okamoto’s dynamic, intricately madcap movie is a multitoned send-up of samurai film lore.

Jul 25, 2005 — Seijun Suzuki stages a fearsome guerrilla night raid on an axis of oppression that includes the state, the church, the U.S. military occupation, and both the commercial exploitation of sexuality and the nonprofit pleasures of carnal love.

Apr 25, 2005 — In Andrzej Wajda’s masterful antiwar film, we see scarcely a single combat death, yet the dark radiance of doom haloes one and all.

Sep 23, 2002 — The theatricality of Alfred Hitchcock’s thriller makes the point that psychoanalysis is a sister to cinema rather than a rival.

Oct 12, 1998 — Are there cultural purists still remaining who would argue that the “Westernized” title of Akira Kurosawa’s 1963 masterpiece—High and Low—throws polluted water on the cosmological fire of its given name: Tengoku to jigoku—literally, Heaven and Hell?Kurosawa’s once insisted-upon reputation as...