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Breathless

Dec 14, 2018 “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...

Dec 6, 2018 Repertory Picks Since September, the Cinematheque at the University of Wisconsin–Madison has devoted its Sunday-afternoon screening series at the Chazen Museum of Art to the work of New German Cinema icon Rainer Werner Fassbinder. And this weekend, the retrospective’s second...

Nov 20, 2018 In the aftermath of the political turmoil that swept through France in 1968, Sylvina Boissonnas used her wealth to sponsor some of the most radical films of the era, including works by Philippe Garrel and Jackie Raynal.

Oct 16, 2018 Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.

Sep 5, 2018 It took a while for Paul Feig—the director behind such smash-hit comedies as Bridesmaids and Spy—to come around to the darker side of cinema. Back in his college days, the filmmaker appreciated the superior technique of the dramas and foreign films he saw in his...

Aug 20, 2018 A survey of some of the most notable titles to have appeared over the summer.

Jul 10, 2018 The popular podcast You Must Remember This takes on Kenneth Anger’s movie industry gossip.

Jul 2, 2018 An exhibition of on-set photography by Raymond Cauchetier and Georges Pierre opens in Paris.

Jun 20, 2018 Françoise Bonnot, who passed away last week at the age of seventy-eight­, was one of the world’s most versatile and seasoned film editors, with a five-decade career that encompassed work with such international auteurs as Costa-Gavras, Jean-Pierre Melville, and Volker Schlöndorff. But...

Apr 3, 2018 A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

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