The Criterion Collection
Essays
Jun 24, 2025 — The product of a famously tumultuous production, William Friedkin’s nerve-jangling adaptation of the classic suspense novel The Wages of Fear infuses the mechanics of genre with rough-hewn realism and the New Hollywood’s renegade spirit.
The Daily
Jun 17, 2025 — Authors address overt and covert queer cinema, the avant-garde, and AI; plus notes on new collections and entire filmographies.
On the Channel
Jun 17, 2025 — This July, find love under the sun with our Summer Romances collection and flirt with the seductive dangers of Miami’s most thrilling neonoirs.
Essays
Jun 17, 2025 — Mitchell Leisen’s marvelously chic and brilliantly constructed screwball classic revolves around a heroine who flounders through a succession of complications but always manages to come out ahead.
Essays
Jun 10, 2025 — Sidney Lumet’s lavish adaptation of a Tony Award–winning stage musical combines an ecstatic appreciation of Black artistry with a celebration of freedom and perseverance.
The Daily
May 27, 2025 — The triumphant return of Jafar Panahi capped off what many consider to be a terrific year at Cannes.
May 27, 2025 — In the singular mid-1980s TV show Eternity’s Pillar, the jazz iconoclast gives viewers a chance to experience the healing powers of her music—and the intense spiritual practice that fuels it.
The Daily
May 20, 2025 — Cannes 2025: Sirāt and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.
The Daily
May 16, 2025 — There’s a lot going on besides Cannes: Kira Muratova, Glauber Rocha, Mikio Naruse . . .
The Daily
May 14, 2025 — The festival presents new restorations of films by Chantal Akerman, Charles Burnett, John Ford, and James Ivory.