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Band Together

Mar 29, 2022 About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...

Mar 15, 2022 The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

SXSW Is Back

The Daily

Mar 10, 2022 The Austin festival will stage its first in-person event since 2019.

Feb 24, 2022 Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.

Jan 31, 2022 What have the critics been saying about this year’s winners?

Jan 1, 2022 Ring in the new year with the French New Wave, Joseph L. Mankiewicz, and a look back at the 1992 Sundance Film Festival.

Dec 1, 2021 So far, most critics have been gung ho, but a few are expressing reservations.

Nov 4, 2021 So far, the Museum’s programmers have selected nearly twenty films that they believe “will stand the test of time.”

Oct 13, 2021 1. In spite of Melvin Van Peebles’s well-earned reputation for being a provocateur and a disrupter, he was also known for his kindness and generosity toward others. Over the course of working on the Essential Films box set, I observed...

Sep 28, 2021 The first Black-directed movie musical of the modern film era, Melvin Van Peebles’s drama illuminates the cultural and political concerns of working-class Black people with delight and fancy.

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