The Criterion Collection
Dec 20, 2016 — With only three features under her belt, German director Maren Ade has become one of contemporary cinema’s keenest observers of human behavior.
Sep 9, 2016 — To celebrate the release of this revelatory self-portrait that weaves together footage from Johnson’s twenty-five-year career as a globetrotting documentary cinematographer, we’ve compiled a selection of writing about the film.
Features
Jul 22, 2016 — Two pieces, written by director King Hu, that were originally published as part of a 1975 press kit for the Cannes Film Festival.
Jul 21, 2016 — Interweaving wartime footage with haunting images of abandoned concentration camps, Alain Resnais’s breakthrough was one of the first films to confront the ravages of the Holocaust.
Short Takes
Jul 18, 2016 — Watch rare footage of the director candidly discussing his film’s production and afterlife, shot in 1983 by director-editor Timothy De Paepe, then a student of Harvey’s, as part of a film-school documentary
Jul 5, 2016 — Arthur Hiller’s 1979 comedy pairs Alan Arkin and Peter Falk as unlikely comrades in a madcap farce that lands every laugh.
Mar 23, 2016 — We had come to expect Chantal Akerman’s periodic gifts of small and large cinematic gems. Certain of this flow, we were devastated when, all too abruptly, we were forced to think of her latest film, so beautiful, as her last.
In Theaters
Jan 8, 2016 — In March of 1967, Bosley Crowther, then the film critic for the New York Times, wrote about Orson Welles’s Chimes at Midnight, penning what is now considered one of his most famously wrong-headed reviews.
Dec 8, 2015 — In Speedy, Harold Lloyd, a comic genius who thought of himself as a quintessentially average American man, places his optimistic everyman character within the context of a society in shift, to great comedic effect.
Short Takes
Nov 17, 2015 — Max von Sydow has spent the past six decades cultivating one of cinema’s most illustrious careers, and now, at eighty-seven, the Swedish actor “may be on the verge of becoming a pop-culture icon,” writes Terrence Rafferty in the Atlantic.