The Criterion Collection
The Daily
Jun 10, 2017 — On Wednesday, Martin Scorsese, in partnership with the Pan African Federation of Filmmakers and UNESCO, officially launched the African Film Heritage Project. The Film Foundation, founded and chaired by Scorsese, will take part in the restoration of fifty African films....
The Daily
Jun 7, 2017 — With revivals of Japanese films being presented in the coming days in New York, Chicago, Berlin, Cologne, and Vienna, a quick reminder: As noted yesterday, the lineups for the New York Asian Film Festival (June 30 through July 13) and...
The Daily
Jun 1, 2017 — “The greatest filmmakers, like the greatest novelists and poets, are trying to create a sense of communion with the viewer,” writes Martin Scorsese in the new issue of the TLS. “They’re not trying to seduce them or overtake them, but,...
The Daily
May 31, 2017 — New York. The BAMcinématek series Varda in California opens today and runs through June 13. The New Yorker’s Richard Brody recommends Lions Love (. . . and Lies) (1969): “Filming this docu-fiction in Los Angeles in June, 1968, the week...
Apr 17, 2017 — A group of Cuba’s most seasoned musicians became an international sensation upon the release of this acclaimed documentary portrait.
Features
Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.
Nov 28, 2016 — PerformancesAny paean to noir seductress nonpareil Gloria Grahame—mine included—can’t hope to surpass this encomium from Boyd McDonald, one of her most ardent and articulate devotees. Saluting Grahame’s performance in In a Lonely Place (1950) in his essential 1985 compendium, Cruising...
Essays
Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.
Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.