The Criterion Collection
Essays
Feb 18, 2020 — In what was no doubt an appeal to subtitle-averse audiences, advertisements for the U.S. release of Teorema (1968) trumpeted, “There are only 923 words spoken in Teorema—but it says everything!” A meager few of those utterances are expended in an...
Feb 14, 2020 — One Scene An irresolvable tension between the natural world and scripted narrative crops up throughout the work of German filmmaker Angela Schanelec, including in her latest feature, I Was at Home, But . . . Winner of the best director...
Dec 23, 2019 — Fear and desire lie at the heart of Peter Strickland’s cinema, whether he’s exploring those themes through the sonic, the sexual, the sartorial, or some diabolical combination of all three. With his masterful sense of film technique, the British director...
Sneak Peeks
Dec 3, 2019 — A widely beloved Hollywood classic, All About Eve is justly famous for its impossibly witty dialogue, its dramatic twists and turns, and its note-perfect cast, led by Bette Davis as an imperious Broadway star, and Anne Baxter as a young...
The Daily
Nov 11, 2019 — This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.
Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...
Oct 15, 2019 — The witch has a long history in Western cinema. Nowadays, we tend to associate her with horror, but early depictions resist easy categorization. She appeared in American silent films as early as 1908 (in a short called The Witch). The...
On the Channel
Oct 9, 2019 — The Internet’s hardcore feline obsession may seem harmless, but is there something darker at play behind the millions of memes and GIFs it generates, or the eager crowds who gather to meet online animal celebrities like Grumpy Cat (R.I.P.)? In...
The Daily
Sep 16, 2019 — Martin Eden tops the Platform competition, while audiences go for Jojo Rabbit.
The Daily
Sep 4, 2019 — After Laurence Olivier and Kenneth Branagh, it’s Timothée Chalamet’s turn to lead the English to the Battle of Agincourt.