The Criterion Collection
Essays
May 27, 2020 — “A filmmaker shows what his career will be in his first 150 feet of film,” François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose...
Features
Nov 15, 2019 — It’s a strange feeling: adoring cinema while at the same time always sensing that it’s not made for you. This is how I felt growing up, at least. I came of age watching movies, crushing on them so hard that...
Features
Aug 9, 2018 — An annual destination for cinephiles from around the world, this film festival in Bologna is a magical place to discover the richness of cinema’s past.
The Daily
Apr 21, 2018 — We’re going to be doing a little renovating around here, so this will be the last Daily post for about a week or so. It’ll be worth the wait. You’ll see. In the meantime, let’s have a quick look at...
Sep 4, 2017 — Alfred Hitchcock achieved Oscar-winning success with this psychological thriller, a tumultuous collaboration with producer David O. Selznick.
Essays
Feb 16, 2009 — Through the story of thunderously, wondrously henpecked men and a determined woman’s romantic zeal, David Lean’s comedy depicts private and social revolution.
The Daily
Jan 24, 2018 — The forty-seventh edition of the International Film Festival Rotterdam opens today and runs through February 4. Over a month ago now, we started tracking the lineup, which the IFFR unveiled bit by bit every few days, culminating with the publication...
Oct 8, 2017 — The New York Film Festival presents BPM (Beats Per Minute) tonight and tomorrow, and we begin with Jordan Cronk, writing for Cinema Scope: “A sprawling yet affectingly personal portrait of a group of Parisian activists and ACT UP members in...
The Daily
Sep 15, 2017 — “Harry Dean Stanton, the character actor with the world-weary face who carved out an exceptional career playing grizzled loners and colorful, offbeat characters in such films as Paris, Texas and Repo Man, has died.” The Hollywood Reporter’s Mike Barnes and...
May 20, 2017 — “Robin Campillo’s 120 Battements Par Minute [BPM (Beats Per Minute)] is a passionately acted ensemble movie about ACT UP in France in the late 80s, the confrontational direct-action movement which demanded immediate, large-scale research into AIDS,” begins the Guardian’s Peter...