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† On the Jump

Feb 11, 2021 The body never lies.Instead, it keeps score, with our very gestures and walk and physical eccentricities speaking to the traumas and desires we’d like to keep hidden. But there are some people so aware of this truth, and the power...

Dec 31, 2020 One of our editors made this as a gift for the Criterion community. We hope you enjoy it!

Dec 14, 2020 This year’s selection features a record number of films directed by women and people of color.

Dec 3, 2020 One of cinema’s preeminent directors is currently at work on two new projects.

Nov 17, 2020 Consider Jim Jarmusch’s Ghost Dog: The Way of the Samurai (1999) as a very promiscuous romance picture above anything else—even if not all of its many objects of affection are what you might call properly human and there is no...

Sep 16, 2020 Glenn Kenny’s new book on Scorsese’s Goodfellas scores raves and Coppola has been tinkering with The Godfather again.

Aug 3, 2020 The first European box-office success of the movement dubbed the New German Cinema, Volker Schlöndorff and Margarethe von Trotta’s 1975 The Lost Honor of Katharina Blum took on a hot-button issue: the paranoia provoked by homegrown terrorism and the opportunity that...

Feb 3, 2020 Nearly half of the awards presented over the weekend went to female filmmakers.

Oshima in Toronto

The Daily

Nov 13, 2019 TIFF Cinematheque presents an eclectic selection of eleven films by the Japanese director.

Oct 10, 2019 Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...

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