The Criterion Collection
Essays
Jan 16, 2017 — Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.
Sep 12, 2016 — During a research mission to Spain, Criterion web producer/researcher Valeria Rotella takes a day trip to the medieval desert town of Chinchón, where Orson Welles is rumored to have shot Chimes at Midnight and The Immortal Story.
Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.
Nov 10, 2014 — Monte Hellman’s existential westerns take Beckett to the desert.
Nov 5, 2014 — A review of the American auteur’s posthumously published novel
Oct 30, 2012 — All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.
Essays
Aug 16, 2011 — “It is my best film. I always loved it. I always believed in it. It is real cinema, done for cinema—like art for art.” That was Roman Polanski’s view of Cul-de-sac in 1970, four years after its release and just...
May 16, 2011 — Among the most enduringly popular motives for murder, in films as in life, is the desire to remove an impediment to happiness—to get somebody, once and for all, out of the way. In life, of course, the goal of freeing...
Apr 16, 2007 — Following debates about tensions between police and immigrant communities in France, director Mathieu Kassovitz began a public correspondence with the right-wing minister of the interior Nicolas Sarkozy.
Dec 5, 2005 — René Clément’s masterpiece is dedicated to the radical Freudian proposal that living matter seeks the comfort of oblivion.