This and That

Feb 9, 2023 — New York’s Metrograph presents a series of films Rainer has called “autobiographical fictions, untrue confessions.”

Jan 9, 2023 — We gather some of the best recent writing on the National Society of Film Critics’s choices for the best films of 2022.

Nov 30, 2022 — Three Keaton shorts will open A Day of Silents at the Castro before a series runs through December 21 in Berkeley.

Oct 26, 2022 — Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...

Jul 12, 2022 — In David Lean’s Venice-set romance, a fleeting love affair prompts a woman’s self-exploration.

Jun 28, 2022 — Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.

May 18, 2022 — Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...

Apr 22, 2022 — Over my forty-plus years at Janus and Criterion, few films have meant more to me than For All Mankind, because of my lifelong passion for space travel. I remember being a second-semester freshman and registering for Astronomy 101. It was...

Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Dec 16, 2021 — Whether their lists run to ten or fifty films, critics argue their cases for the films they’ve put on top.