The Criterion Collection
Dec 12, 1988 — Singin’ in the Rain is, in the opinion of most contemporary film critics, one of the great movies of the sound era. The mere mention of its title brings a smile to the face of every movie lover, regardless of...
Apr 4, 1988 — Back in 1968 when The Producers made its debut, writer-director Mel Brooks was better known within the entertainment industry than by the public at large. His writing for Sid Caesar’s Your Show of Shows and the Get Smart television series,...
Mar 10, 2003 — The Swedish director of I Am Curious explains how he fused the themes of eroticism, self-exploration, voyeurism, and nonviolence into a film about the new freedoms of the young. QUESTION: I Am Curious seemed to be a cinematic Tristram Shandy,...
Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.
Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.
Sep 29, 2015 — Merchant Ivory Productions’ sun-kissed romantic comedy is an effervescent tale of class and manners among the Edwardian English.
Essays
Feb 4, 2014 — When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...
Dec 11, 2012 — Philip Glass’s experimental operas and symphonic works of the 1960s and ’70s laid the groundwork for his hypnotic Qatsi scores.
Oct 24, 2011 — “For a long time I stayed away from the Acropolis,” says the narrator of Don DeLillo’s novel The Names. “It daunted me, that somber rock. I preferred to wander in the modern city, imperfect, blaring. The weight and moment of...