The Criterion Collection
The Daily
Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.
The Daily
Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.
Aug 23, 2022 — With one foot in naturalism and the other in dreams and poetry, Marcel Carné’s visually rousing drama is an ode to the daily vicissitudes of ordinary Parisians.
The Daily
Aug 17, 2022 — Our late summer reading list includes vital film criticism and new titles on Josephine Baker, Douglas Fairbanks, and more.
Aug 16, 2022 — The Safdie brothers drew inspiration from their childhood memories for their first feature as codirectors, a terrifying yet wondrous portrait of an unpredictable father.
The Daily
Aug 12, 2022 — The sublime comedies of Ernst Lubitsch, a state-of-the-doc address, and the spectacular work of three graphic designers.
Features
Aug 9, 2022 — An indie pioneer whose life was cut tragically short, the Texas filmmaker found grace in the tedium of repressive small-town existence.
The Daily
Aug 8, 2022 — The new Senses of Cinema features a dossier on the director currently being feted in Melbourne.
The Daily
Jul 29, 2022 — We head back to the 1940s in Los Angeles, the 1960s in New York and Paris, and to every summer you remember.
Jul 26, 2022 — A seductive brew of decadence, dada, and drag, the German director’s fantastical films embrace the possibilities of female visual pleasure.