The Criterion Collection
Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 More than eight decades since its release, Dos monjes (1934) continues to invite reappraisals, as much for its expressionist style—exceptional within Mexican cinema—as for its nonlinear narrative and for the creative contributions of...
Essays
Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...
Essays
Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...
The Daily
Sep 25, 2020 — This week there’s a new Film Quarterly and a new frieze and fresh conversations with Jan Oxenberg and Paul Cronin.
Visual Analysis
Sep 24, 2020 — Under the Influence Certain movies have such a profound impact on us in our formative years that they go on to resonate in unexpected ways throughout our lives. For Miranda July, one such film is Steven Soderbergh’s sex, lies, and videotape (1989), which...
The Daily
Sep 17, 2020 — Antonio Campos’s The Devil All the Time and Sean Durkin’s The Nest have A.V. Club writers revisiting the films they’ve made with Josh Mond.
The Daily
Sep 16, 2020 — Glenn Kenny’s new book on Scorsese’s Goodfellas scores raves and Coppola has been tinkering with The Godfather again.
The Daily
Sep 9, 2020 — The in-demand performer stars in two films in competition, Kornél Mundruczó’s Pieces of a Woman and Mona Fastvold’s The World to Come.
Aug 31, 2020 — “Movies show us ourselves as we had not yet learned to recognize us—something in the nature of daily being or happening that quickly gets folded over into ancient history like yesterday’s newspaper, but in so doing a new face has...
The Daily
Aug 21, 2020 — A free film school in a French banlieue, a nineteenth-century inventor, and a lesbian classic are among this week’s highlights.